I’ve been listening to Little Boots since I got a free iTunes sampler earlier this year which included her track “Stuck on Repeat.” Samplers are usually a hit or miss for me, and I was immediately hooked on her sound and personality. Unfortunately, she has only really released tracks in the UK and there are only a handful of legit releases someone from the States can get their hands on. I’ve gobbled up most of her EPs and Remix tracks via iTunes and she even offered a mash-up track off of her website that is composed some released and non-released music.
Boy was I excited when I found out via her mailing-list that not only was she going to do a tour, albeit short, in the United States, but that she was coming to NYC! To make it even better, she was going to be in town a mere days before my birthday! (HAPPY BIRTHDAY TO ME!)Â I scarfed up two tickets for me and Adam to see her and it only costed about $20 for each ticket. That was a steal for me!
Last night was the night and I was wowed! Not only from Little Boot’s performance and energy but by the two opening bands that night: Plastiscines and Yes Giantess. I should have realized I would have enjoyed Yes Giantess by the remix they did of Little Boots’ “Earthquake” that she released a couple weeks ago.
The Plastiscines were an all-female group with a hard edge. From what I could tell they were French due to their accents, after doing some research I found out I was right. I like being able to hear powerful women who don’t come off as whiney or bitches and they didn’t disappoint. I’m sorry to admit this, but I was really impressed with their hair and clothing too! To be able to rock and look good while doing it? Fab!
Yes Giantess was also a pleasant surprise. As we waited for them to make up the stage I watched the crew put together the different synthesizers and keyboards that the team were going to play and then there was a lone Mac laptop with red electrical tape spelling out “YES” sitting on there as well. These guys were outright nerds and seemed to have a jolly time up there banging away on the keys.
Then came the headliner: Little Boots. I had read Perez Hilton earlier in the day and knew she was to do a surprise set on whatever local event he was having that night in NYC, but I did notice it was here a few times peaking around the corner on the stage while the other acts played so Perez’s thing must not have been long. She had a disco-ball-esque dress on that refracted the stage light that shined in various directions. She has total control of the stage and is very adept at starting audience participation.
If you aren’t familiar with Little Boots’ YouTube videos, she performs with Tenori-On by Yamaha on some of her tracks. The device is so nerdy and dramatically different from all of the classical and modern day instruments out there. As I have interpreted it, you have to be competent in being able to program the machine and then can use your programming and sound bites to play. The most obvious song that you hear it on is “Meddle.”
Another interesting “instrument” she used was some sort of light beam that was sitting on a synthesizer and depending on how she moved her hand the sound would be different. I have no idea what it is called but it was awesome.
She wrapped up the night without playing “Stuck on Repeat” and I was getting a bit nervous! That was my favorite song and I think her most well-known. After exiting the stage everyone stayed on the dance floor and called for her to come back on. Then the first few bars of the song started to play and the crowd went wild! Everyone was satisfied. 🙂
She played all the songs I knew of plus ones I hadn’t heard yet since her debut album “Hands” isn’t available in the States yet so I can only hope that one day we’ll be able to hear it. I’m really excited about what she has to offer to indie electronic music and I hope people in the states will be able to share in it really soon!
